“Applique Quilt Blocks”

Last week I was talking to you about the Embroidery Applique feature on my sewing and embroidery machine.  Embroidered applique can be used anywhere you would use a traditional applique, but I think the most satisfying use of the feature is on appliqued quilt blocks.  This embroidery feature allows you to make multiple appliqued blocks with the precision of the embroidery machine, saving time and keeping all the blocks uniform.  It’s also just fun to do.  Applique designs are quite prevalent online and come in all styles for all types of uses.  Designs range from very simple to very complex, but they all use the same basic techniques to create the finished applique.  Once you have done a couple different blocks, you will feel confident enough to tackle even those that look very difficult.  Only you will know how easy it was to assemble!  Here are two Heirloom Creations videos to demonstrate this fun technique.  The first video demonstrates a simple applique.  The second video demonstrates the Mariner’s Compass.  I hope you enjoy the videos.

Also, it’s that time of year again when I will be suspending my blog entries for two weeks.  I will be back on December 30th with all new tips.  In the meantime, you may want to check out the current blogs for the Pfaff, Husqvarna Viking and Brother machines.  They have some fun new projects to try.  Have a wonderful holiday season!

“When Would I Use That Feature?”

When I bought my latest sewing and embroidery machine, there were a number of features that I thought I simply would not use.  I knew what types of projects I sewed and those features didn’t fit into what I had been doing.  Of course, because I now had the features, I began to use them!  Two of those features are Design Applique and Design Shaping (on the Pfaff machines they are rolled into one feature called Shape Creator).  On both machines this feature allows you to design an applique background in shape, size and orientation and then place lettering or embroidery designs on that background.  (If you are looking for a machine that will create an applique in the shape of a specific embroidery design, you should check out the top of the line Brother machines!)  I am creating an embroidered memory game for my nephew’s four year old son for Christmas.  I will be creating the game and then will make a bag in which to carry it all.  The following pictures demonstrate how I created the applique for the front of the bag.

I started by entering Design Applique.   I chose the shape I wanted      and then rotated the shape until it was on point.        Once on point I adjusted the size from 226 mm  to 179.9 mm.   This now fit nicely into my 200×200 hoop.  

Next I went to my fonts and created Holden’s name.     I wanted to shape the name into an arch so I went into Design Shaping.   I selected the clockwise circle  and it brought the name into the shape, but it was evenly spaced.    I chose to have it left justified  

then rotated it to the top of the circle.    Next I resized the name so it would fit into the applique area  and moved it to the place I wanted.   I went back into my fonts to create the next words   and brought them onto the screen.   After making sure the lettering was where I wanted it, I brought in an embroidery design.  

Since the design was a bit too large, I went into resize  and brought it down from its original size  to the size I needed. 

I made sure to select “Retain fill type”  and voila!  Last thing to do was to change the colors of the lettering from gold to blue.  I selected Color Edit,  Add/Remove    and changed all the gold to blue in one step.  

In a very short time I had created the applique I had seen in my mind and had saved it to be ready to stitch out when I make the game and its carry bag.

“Embroidering Difficult Fabrics”

Each Christmas I make my family gifts that they have requested.  This year, my oldest niece decided she wanted to have some special holiday decorations for her new apartment that would be elegant.  We decided on pillows and a table runner that would coordinate.  The term elegant reminds me of velvet, but I decided instead to make her embroidered pillows and table runner out of faux suede since it will stand up to daily use better than velvet will, with less noticeable wear over time.  I was sure the product would be to her liking but I knew I would not have an easy time of it.  Here are some tips that might help you if you decide to work with your own difficult fabric.

First of all, the faux suede I used did not heal well, so I could not pin the fabric except in places that would not show on the finished project.  I pinned inside the seam allowance to mark the centers.    I could not mark on the fabric with any marking tools, so I lined up my design on the fabric using the plastic hoop templates I purchased from Husqvarna Viking.  I further lined up the template with a ruler to make sure I was accurate in my design placement.       Once I did this both horizontally and vertically, I taped the template to the fabric using embroidery tape.        I then hooped up some sticky backed cut away stabilizer in my hoop   and used a pin to score the paper so I could tear it away to expose the sticky surface.       I then laid the fabric in the hoop with the template still attached, lining up the horizontal and vertical cut outs with the nibs on the hoop.                I inserted the hoop into the machine, lined everything up, then gently removed the taped template and began stitching.   Once the design was finished   I cut away the excess stabilizer, leaving about a half inch around the entire design for long term stability.    (I embroidered a reindeer and a tree for the pillows and snowflakes for the table runner.)  Once I finished the embroidery, I was ready to square up the pillow, just like squaring up a quilt block.  I couldn’t mark anything, so I used my square up ruler plus another ruler to make sure I was square on the horizontal as well as on the vertical.   Since my square up ruler is 15.5” and I needed 17.5” I added another 1” wide ruler on each side for cutting.    Once everything was cut and the welt for around the edges was made, it was just a matter of assembly.   Working with difficult fabrics is very rewarding, but does take some thought and preparation.  (By the way, the designs I used come from a Pfaff collection called “Holiday Line Art”).

“Machine Quilting…Variations on a Theme”

There is historical evidence that the art of quilting has been around for a very long time.  My grandmother did all of her piecing and quilting by hand, start to finish.  I do not have the patience of that talented woman and so use my machine for sewing, embroidering and quilting all of my projects.  Each time I have the opportunity to teach the new owners’ machine classes I talk to customers who are starting or continuing their sewing journey with a new machine.  They are eager to try out the different features of their machines and are eager to learn what might be possible.  In that spirit, I thought I would direct your attention to some videos that may serve as inspiration for you on your sewing journey.  Some videos will be focused on the “quilt as you go” technique using a sewing machine and some will focus on the use of your embroidery machine to produce beautiful quilting on any sized quilt.  If you are interested in seeing more, I have included a URL that includes many of the videos made by Karen Charles, Event Specialist from Husqvarna Viking.  I hope you glean some inspiration from what you see!  From all the staff at Bonny’s Sewing and Fabric……Happy Thanksgiving!

“Sewing Machines and Top Thread Tension”

For many years, I just didn’t understand the role of tension on a sewing machine.  If my stitches looked good, I was happy and if my stitches didn’t look good, or if my thread started to “nest” I thought there was something wrong with my machine.  Now that I better understand machine thread tension I’d like to pass that understanding along to you.

First of all, whenever you begin to sew on your machine, no matter what machine you own, please remember to hold the threads!  You may hold them with your hands  or under the presser foot of the machine, but there needs to be some tension on the thread as it starts to create a stitch.  If you neglect this step, chances are you will have a “bird’s nest” of thread on the back side of your fabric.  Second, you will want to make sure you have threaded the top thread properly through your machine.  This video may help to explain the importance of this step!

Lastly, understand that even though top thread tension is referred to in terms of “tight” and “loose”, it may help to think more about where the thread is being placed during the stitch.  Correct tension balances the top thread and bobbin thread so an equal amount of each shows on the front and the back of your fabric.  This is referred to as the stitches being balanced.  Increasing top thread tension brings more bobbin thread to the top of your fabric and decreasing the top thread tension takes more top thread to the back of your fabric.  If you think in those terms, you may begin to look at top thread tension in a whole new way.  This video may help to show what happens as you adjust the top thread tension. The principles are the same, whether your machine is an entry model or a top of the line machine.  Where do you adjust the top tension on your machine?  For mechanical models, there is usually a dial at the top or on the front of your machine and for computerized machines, the top tension adjustment is usually found in the “Set Menu”.

“It’s the Little Things…”

I have been sewing for a very long time.  Because of that fact, I often take for granted the amount of “little things” I have learned from all of my fabulous teachers:  family, friends, sewing programs, other sewers, etc.  Sometimes knowing some little things can make all the difference between a successful project and one for which you may not be extremely proud.  One of those little things that may be helpful to know is how fabric is displayed in stores.  Quilting fabric is almost always displayed on the bolt with the right side of the fabric showing.  The fabric is folded wrong sides together and then wound on the bolt so the customer can see clearly how the material looks and how it may coordinate with other fabrics for the project.  Pre-cut fabrics follow the same rule, being folded with the right side out to clearly show how the fabric looks.  This is a very appealing way to display fabric and gives the customer colorful eye candy to browse in each aisle.  While quilters are most focused on colors and prints, garment sewers have the added interest of how the fabric will drape when worn on the body.  For this reason, most fabrics used for garment construction are folded with right sides together, having the wrong side showing when wound on the bolt.  There is an added step to their display with the fabric being turned to the right side and then draped over the end of the bolt.  As a customer goes down each aisle, the right side of the fabric can be seen as well as the drape of the fabric. In the case of knit and fleece fabrics, both right and wrong sides usually look exactly the same.   To tell the difference, take a small piece of fabric along one cut edge and slightly stretch the fabric in the crosswise direction.  The fabric will roll towards the wrong side of the goods.   Another category of little things involves cutting out a garment pattern.  Grain is very important to the drape of a garment once it’s finished.   This step cannot be overlooked if you would like your garment to be pleasing to look at and comfortable to wear.  The best way I have found to insure the accuracy of grain placement is to measure from the grain line on the pattern to a reliable spot off the fold of the fabric.  In this example, two measurements have been taken from the grain line to the fold in two different places along the line:  both measuring 8 inches from the printed line on the pattern.

   If this measurement is the same in at least two places, you can be sure the fabric will be cut accurately on the grain line.  Lastly, you will notice my pins are running parallel to the edge of the paper pattern pieces.    When cutting around fabric pieces, pins are always running parallel to the scissors.  When sewing, on the other hand, pins are placed perpendicular to the edge of the fabric.    Pinning perpendicular to the cut edge allows easy removal of those pins as they go through the sewing machine.

I hope these “little things” prove helpful and I hope you have fun creating something special this week.

“‘Tis The Season for Felting!”

I have such fun felting on my machine with the Felting Embroidery Set.  Although felting can be done using almost any weight of material, it is usually most closely associated with woolens, roving, etc. and cooler weather.  Felting is a process where materials or threads are meshed together rather than sewn together by using barbed needles.  The threads become a part of each other, creating beautiful new fabric.  Felting can be done on a fabric or can be done as a free-standing form.  Felting on the back of plain denim using only the denim itself, for example, gives a beautiful white design on the front of the denim.  Felting on the back of a sweat shirt brings the color of the fleece side to the front.  Free-standing felting is usually done using wool roving, creating shapes for home décor or 3D accents on flat surfaces.  There are felting machines that have multiple needles, there are sets such as are available for Husqvarna Viking and Pfaff machines and there are hand felting accessories available.  Felting is even a wonderful tool for creating texture in quilting fabrics to add variety and uniqueness to quilt blocks!  For a few examples of this art form, take a look at this Husqvarna Viking blog link.  The YouTube link is a demonstration of the Felting Embroidery Set for the Husqvarna Viking, but the set up and use is exactly the same on the Pfaff machines.

“Flat Construction Sleeves”

Last week I had just starting making a fleece top for the cooler fall evenings. Today was the day to finish everything, starting with inserting the sleeves.   If you have always inserted sleeves by using a set-in method, I encourage you to try set­-in sleeves using a flat construction method. As explained in the pattern, the sleeves are sewn in before the side seams are sewn.   I now always use this method, whether called for in the pattern or not, if the sleeve requires ease but no gathering. I remove my Interchangeable Dual Feed foot and replace it with my Clear Seam Guide foot.  I then, increase my presser foot pressure from 3.0 to 3.5.   (If you are using a Pfaff machine, you would disengage the IDT system and increase the presser foot pressure up one half step). When inserting the sleeves, you will want to have the sleeve on the bottom, closest to the feed teeth. The feed teeth will ease in the extra fabric for you and, without the dual feed, will allow you to ease the sleeve without using any extra gathering stitches. Before sewing the sleeves, remember to press up the hems!  After inserting both sleeves, you will have sleeves that have been eased in with no gathers or tucks in sight!  I then change my presser foot ankle from a Husqvarna Viking ankle to a Pfaff ankle so I can use their Knit Edge foot  to create perfect topstitching on the sleeve seams.  Make sure you have pressed in the hem for the bottom of the garment and then sew the side seams from the hem up the body of the garment and through to the wrist.  After the sleeves are in, finish the hems and you are done!

 

“Fleece Tips”

With these first days of nippy weather, I decided to start making a fleece top to keep warm. Fleece is such a forgiving fabric with which to work that it is a favorite of novice and experienced sewers alike. I thought I would share with you the machine settings I use to make sewing this fabric a joy. First, I use my Interchangeable Dual Feed  with the Open Toe Foot

This allows me to sew multiple layers for my seams and see clearly where I am stitching. (If you own a Pfaff machine, you would want to use the IDT System with the “Sewing Star Foot for IDT”, allowing excellent visibility.) 

I set my presser foot pressure to 3 and I use a 90/14 Schmetz Stretch needle. My seams are sewn using a straight stitch set between 3.0 and 3.5, depending on the seam I am sewing and I use my Clover clips instead of pins to keep the fabric flat while still being secured.  Again, the different sized clips are used according to the seam I am sewing. Topstitching is kept to a minimum so as not to crush the loft of the garment. None of the seams need to be finished on the inside of the garment since fleece does not fray. Finally, I will use a 4.0 to 4.5 stitch length for my hems to allow the fleece a small amount of room to stretch at the bottom edges. There you have it! I hope you sew something with fleece this fall.

“Included Accessory”

Many times, in the excitement of unboxing a new machine, customers skim over their manual’s description of included accessories. They know the accessories they want to use and they focus on those. Many don’t realize there is a very simple yet valuable tool included in the accessories of almost every machine, even their older, possibly inherited machines. That tool is the Edge/Quilting guide.  Most machines will come with one guide and some machines come with more (this is true with Husqvarna Viking machines that come with the Interchangeable Dual Feed Foot as an included accessory).  I have both an older Husqvarna Viking machine  and a newer machine  and both included this valuable accessory. This guide can be used to sew equidistant lines for quilting, topstitching, garment sewing, home décor, etc. It is especially helpful when you require rows of stitching that are greater than the normal seam allowances. Both older and newer machines use this accessory equally well, with how it attaches to the machine being the only difference. My 1994 machine uses the guide attached with a screw that fits into a slot on the ankle’s back.

  The large screw is tightened against the bar of the quilting guide to hold it in place. On my newer machine, the guide also attaches on the back of the ankle, just in a slightly different way.

      The Interchangeable Dual Feed foot that came with my machine uses two guides: one that rides to the right of the presser foot   and one that rides to the left of the presser foot. 

These guides attach, again, behind the foot, but instead of using a screw to hold them steady, the foot has a slot into which they rest snugly.     On all machines, all makes and models that use this type of guide bar, these guides can be used for both straight stitching and decorative stitching. They are perfect to use for any project which requires equidistant rows of stitching or stitching that is needed at a particular distance from the edge of the fabric. One suggestion when setting the distance for the foot: after setting the desired distance, lower the presser foot so the Edge/Quilting guide is touching the needle plate before you tighten the holding screw. 

If you do this when securing the guide, the guide’s position will generally not change as you raise and lower the foot or as your fabric moves over the feed teeth.